We encourage you to create FL Studio mixer presets as you go. We also want the vocal to support and supplement the mix by becoming one with the identity of the track and colour of the mix. What works for one might not work for another.Įarlier, we described how we want the mix to adapt to the vocal. Treat every recording as its own unique identity. The microphone, the rapper’s performance, their distance from the mic, and background static – these factors can lead to varied recording results. FL flowĪn enormous part of processing your vocals is understanding what type of recording you’re dealing with. If you’re in a phone booth, follow the rules of the space, and try to keep competing frequencies apart. If your mix already boasts booming mids and you want to stick in a rap vocal, the result might be the sonic equivalent of jamming two angry UFC fighters in a phone booth. Naturally, then, we don’t want this range to be pressured in the instrumental. This average range is very active in the mids and high-mids. Yes, every voice is different but, for the sake of practicality, we can draw some averages here. Though not an instrument per se, the human voice has a range just like any other instrument. This space-awareness concept flows nicely into the next essential step that needs to be addressed: the human voice.
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